Furthest Right

Olympic Gymnasts Demonstrate Split Between Western And Globalist Aesthetics


When watching excerpts from the recent Olympics in Rio, I was struck by the difference in physiques from the 1970s to today. The women of three decades ago were long and lithe and took on more difficult and graceful routines. In the following video, you can see the elegance and poise of the past.

The difference between today’s overly muscled globalist equal person and the relative health and strength of athletes of yore is alarming. The emphasis now is on power and strength, and today’s female gymnast does a mostly masculine performance that lacks any artistry. This shift from Western aesthetics to a rote repetition of stunts reveals how far the Olympics has fallen.

For example, Laurie Hernandez performs more dance moves, and has dutifully memorized and executed all of the “tricks” from the list of successful Olympic wins, but the routine does not hold together as anything more than a demonstration.

Along comes Aly Raisman, who displays more technical skill, but again her routine is more like a recitation of familiar patterns with no unity between them than a display of artistry and athleticism in union.

Media darling Simone Biles is the girl who is considered to be the best in the world and perhaps the best ever. She is short and stalky, rather ungraceful. Like the others, she embarks on a routine that is very jerky, having no real flow to the movements. Everything seems to be just a technical checklist to be gotten through to obtain the highest points.

Now compare those to Nadia Comeneci, a Romanian gymnast who scored the first perfect “10” at the Olympics in 1976. Notice the lines of her body as she performs compared to our current batch of athletes. They aren’t even comparable. This is a harder skill than all that power tumbling and is so much more aesthetically pleasing.

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